anni
Nano Banana PRO
Use the reference image strictly as identity reference for the woman. Preserve the woman's face exactly as in the reference image: identical bone structure, lips, nose, eyes and facial proportions. Identity must remain unchanged, though partially obscured by motion blur. Ultra-realistic cinematic dark black-and-white photograph with strong slow-shutter motion blur. A dramatic cinematic film frame capturing two actors during a dynamic movement inside a dim interior room. A man with a short neat beard and visible athletic muscular torso is leaning forward while supporting a woman as they move together during motion. The woman has hair flowing naturally with the movement. She wears a long elegant black backless evening dress with a dramatic deep open back exposing the entire back, no straps across the back, fitted around the waist and hips with a sleek silhouette flowing downward. Her jewelry sparkles intensely, catching small bright highlights in the light: wide sparkling rhinestone bracelet with bright glittering stones catching the light sparkling rhinestone necklace around her neck reflecting shimmering highlights Pose: The woman leans slightly backward while facing the man. The man supports her balance with one arm around the middle of her back while they move together. The woman holds the man's head with both hands. Camera: three-quarter side angle chest-height perspective the couple centered in frame Environment: dark curtains and a wall mirror in the background small table with a wine bottle, two champagne glasses and a tall candle holder Lighting: low cinematic side lighting from a dim lamp slightly underexposed darker tones deep shadows and dramatic contrast Motion: pronounced slow-shutter motion blur across bodies, hair and faces. Both the woman's face and the man's face are noticeably motion-blurred due to fast movement and slow shutter capture. Camera style: 50mm lens f1.8 slow shutter around 1/10 Cinematic black-and-white film aesthetic visible grain deep blacks and strong contrast 9:16
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